Edouard Vuillard
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Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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SCHAUFELEIN, Hans Leonhard
The Agony in the Garden fh

ID: 09089

SCHAUFELEIN, Hans Leonhard The Agony in the Garden fh
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SCHAUFELEIN, Hans Leonhard The Agony in the Garden fh


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SCHAUFELEIN, Hans Leonhard

German Northern Renaissance Painter, ca.1480-1540 was a German painter, designer, and wood engraver. He was born in Nuremberg, probably studied under Wohlgemut, and then became the assistant of D??rer, whom he imitated. In 1512 he went to Augsburg and in 1515 removed to Nordlingen. He is a graceful narrator, and his types, though rarely accurately drawn, are attractive, but he lacks power and depth. Characteristic early paintings are the altarpiece at Ober Sankt Veit[1], near Vienna (1502), "Scenes from the Life of Christ" (Dresden Gallery), and "St. Jerome" (Germanic Museum, Nuremberg). To his Nordlingen period belong his masterpiece, the so-called "Ziegler Altar" for St. George's Church (1521), part of which is still in the church, part in the museum; "Scenes from the Story of Judith," in the town hall; and the illuminated Psalter for Count von Ottingen, now in the Berlin print room. His most important woodcuts are those for the Theuerdank of Emperor Maximilian.  Related Paintings of SCHAUFELEIN, Hans Leonhard :. | A Little Nimrod | I lock my dorr upon myself | Lady Writing a Letter with Her Maid ar | Erasme ecrivant | Peder Sunnanvaders and Master Knuts Ignominious Entry into Sthlm |
Related Artists:
Sally James Farnham
American, 1876-1943
Konstantin Somov
Russian Symbolist Painter, 1869-1939 Russian painter and graphic artist. He was the son of a curator at the Hermitage, and he attended the St Petersburg Academy of Art from 1888 to 1897, studying under the Realist painter Il'ya Repin from 1894. In 1897 and again in 1898-9 he went to Paris and attended the studios of Filippo Colarossi and of Whistler. Neither the Realism of his Russian teachers nor the evanescent quality of Whistler's art was reflected for long in Somov's work. He turned instead for inspiration to the Old Masters in the Hermitage and to works of contemporary English and German artists
George Leslie
British 1835-1921






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